Princess Nine and “Tradition”

princess nine group photo

When I first started Princess Nine, I was warned by others that it wasn’t overly concerned with baseball as it was with drama. Part of this is correct, as nearly all of the girls’ individual narratives have little to do with the actual sport of baseball. However, in a more nebulous way, Princess Nine has everything to do with baseball, because baseball in Japan is tradition. In fact, there’s a funny little quote attributed to the Japan Tourism Organization that Japanese people are often surprised to discover that the United States considers baseball its “national pastime.”

A lot of what Princess Nine aims to achieve is rooted in overcoming deep seated notions of tradition or family. Instead of looking at the series through a strictly feminist lens – it is girls playing baseball against boys, after all, so this option is rather easy – perhaps it would be better served with the framework of tradition above all, and what breaking preexisting tradition, or perceived familial obligation, entails. Hint, this also has a little to do with that aforementioned feminist lens.

boardroom, boardroom meeting princess nine, keiko himuro princess nine

“If you are so determined to promote women’s status, why not do it somewhere else?”

-National High School Baseball Association, Princess Nine, Episode 11

The primary battle of Princess Nine takes place not on the baseball diamond but in boardroom meetings, as Chairman Keiko Himuro battles against the National High School Baseball Association for the girls’ right to play. The Association cites tradition as the primary reason for not allowing girls into the league, saying that it would disrupt their longstanding customs of high school baseball. As a prestigious institution, the Association claims that a girls team would only cause an unnecessary media circus, all for a team that, to them, exists more as a publicity stunt than a legitimate baseball team. The men of the Association follow this up by telling Chairman Himuro to pursue her interests elsewhere.

Putting aside the fact that this is a fairly prevalent sentiment if a woman tries to challenge a longstanding status quo – you could do so much more good for women’s causes elsewhere, not here – what’s most entertaining about the Association’s assumption is that they’re wrong. Chairman Himuro actually established the baseball team for her own selfish and deeply personal reason, a far less valid one than furthering women’s rights. She believes that her girls are just as good as the boys, but it’s all in pursuit of righting a wrong against a man that she loved.

However, as the head of a distinguished girls academy, Chairman Himuro is more than well aware of her duties and, for the most part, handles the tricky balance between her personal ambitions and presenting the best possible face for the school.

Her dedication to tradition is also reflected in her daughter, Izumi Himuro, who initially sees the baseball team as an eyesore unfitting for such an illustrious institution. Izumi is upfront about her disgust at the uncouth nature of the baseball team, even after joining it herself, and sorts people by “winners” or “losers” in her mind. Additionally, she attempts to repress her own emotions frequently – another result of her upbringing – often turning her nose up at any of her teammates’ attempts to be cheerful rather than cold-hearted and realistic. Tradition and image are always at the forefront of her personality, which makes her awkward and unable to communicate with others. Typically, this would sort her easily into the tsundere archetype, but Princess Nine manages to escape this by giving Izumi realistic, albeit melodramatic teen, turmoil.

izumi himuro hugs ryo hayakawa, ryo hayakawa, izumi himuro, princess nine ending

Ryo Hayakawa inherits her father’s gift of pitching, but is also burdened with his tainted legacy. Back when Hidehiko Hayakawa was a rising professional player, he was accused of purposefully fixing a game, and subsequently banned from baseball. The fallout from this accusation envelops his daughter who, as his offspring, is immediately shunned due to the perceived actions of her father. The Parents’ Association wants her expelled from their precious Kisaragi Girls High School.

As previously mentioned, Izumi had already objected to someone like Ryo attending her school, as the prevailing sentiment regarding Kisaragi Girls High School is, again, one of tradition. It’s an academy where girls are taught, in the words of the Board of Trustees, to be good wives and mothers. Needless to say, the establishment of a baseball team is frowned upon, and the opposition swells in number when her father’s reputation is unearthed and plastered above every newspaper fold. Ryo accepts her father’s burden as her own, and much of her character arc involves learning more about her deceased father through baseball.

Other members of the Kisaragi Girls High School baseball team also struggle with their own ties to tradition and familial obligation. Outfielder Yuki Azuma was bullied by classmates, and told by her parents to stop being so selfish and think of how her actions reflected poorly on them – in spite of the fact that it was in no way Yuki’s fault. Kanako Mita, daughter of the school’s president, is raised by her father to be the perfect lady. For the first half of the series, she disguises herself, just so she won’t be recognized by her father and told to quit. Seira Morimura doesn’t want to become a “useless adult” like her parents, and is initially presented as a delinquent, trying to escape these thoughts. There is very little girls-vs-boys sentiment throughout the series, and it focuses more on how breaking new ground with this baseball team affects their individual views and treatment by society at large, starting with their closest family members.

It’s important to note that Princess Nine doesn’t always get it right. The central romance between Ryo Hayakawa and star batter Hiroki Takasugi is nauseating at best and detrimental to both Ryo and Izumi’s characters at worst. Parts of the series are infuriatingly overdramatic and require either a concern for the characters or an incredible suspension of disbelief. Yet, Princess Nine is hardly an “anything you can do, I can do better” battle of the sexes, and when it comes to actually playing baseball –although it’s no Ookiku Furikabutte, which goes pitch by pitch – it mostly gets it right.


  1. Princess Nine is kind of musty, old, and, as you note, overly melodramatic in the realm of romance. It’s also pretty great. It’s viscerally emotional throughout, uses its music well, and utilizes its character archetypes pretty brilliantly. For me, the show was best summed up by a comment I read somewhere that said, “As Princess Nine teaches us, those who never give up, never lose.”

    1. Yeah, there are some interesting pieces of cinematography and framing throughout. As you also say, it actually uses the archetypes it has and makes them each seem like real people with their own personal motives. The only thing I disliked was the Ryo/Takasugi romance, but I really enjoyed the rest of the series.

  2. I hate the ending. It’s never going to get another season (I think) to rectify it, either. It’s all about girls proving themselves, and then that ending negated the whole message of the whole premise. Otherwise, decent anime. I’d give it maybe a B or C.

    1. If you’re speaking of the romance and ending exchange between Ryo and Takasugi, yes. It almost negates every bit of character development that Ryo undergoes throughout the series, and is only salvaged by the waning moments of Izumi hugging Ryo after they lose. I don’t mind that they lose – it makes complete sense since they’re a new team and Kisaragi Boys School is not – however the dumb romance subplot inserted at the end is awful. It would have been one thing if Takasugi and Ryo’s romantic relationship had involved the two of them pushing each other to greater heights (Nodame Cantabile comes to mind) throughout the series, but it didn’t, since Takasugi doesn’t really learn anything from Ryo. ;_;

  3. The way that romantic subplot was forced into affect the ultimately finally got me so much that it turned into a long ranty review haha (

    But that’s because I’m very passionate about this anime having been looking for women’s sports anime for ages and turning up with very little. I felt that the original creators were kinda forced to put that subplot in because executives moaned about sells (drawing parallels with the show itself). But that ending no matter how unsatisfying almost seemed like the creators basically saying that Ryo’s answer was not the one to lead them to victory and her undying love for Takasugi isn’t going to lead to the ‘winners’ ending like numerous other simple love stories. The hug at the end is maybe sort of symbolising that ultimately the show was about how these girls helped drive growth in each other (and the fact that before this whole love triangle trite, Izumi and Ryo had a very close, intriguing and developing relationship regardless of its nature).

    I just wish this show didn’t abruptly end it at that since it felt like all that attachment and development of the girls sort of meant little in the end and didn’t progress to show how they dealt with loss afterwards. It’s a series that’s been inspiring for me to watch as a woman who plays sports but at the same time left a hole in my heart. Is been a while since any media has done that for me. But I guess that’s why we watch anime :).

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