A Silent Voice

The Flower Language of A Silent Voice Part 3: Cherry blossoms and the transient nature of all things

“People who know flower language will be able to interpret each one’s message and that’s great, but I made it so that even if you don’t you can feel something because of the shot’s layout or the flower’s color. I’m happy to let that audience have their own interpretation.”

A Silent Voice director Naoko Yamada on the usage of flowers in her film

This is the third and final post on Naoko Yamada’s use of flower language in her anime adaptation of A Silent Voice. It will focus on the movie’s specific usage of cherry blossom, or sakura, trees. A look at the use of daisies and cyclamen, and other miscellaneous flowers like azaleas, marigolds, and anemones have been covered in previous posts.

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The Flower Language of A Silent Voice Part 2: Marigolds and Miscellany

“People who know flower language will be able to interpret each one’s message and that’s great, but I made it so that even if you don’t you can feel something because of the shot’s layout or the flower’s color. I’m happy to let that audience have their own interpretation.”

A Silent Voice director Naoko Yamada on the usage of flowers in her film

This is the second of two posts on Naoko Yamada’s use of floriography or hanakotoba (flower language) in her movie adaptation of A Silent Voice. The first post, The Flower Language of A Silent Voice Part 1: Fireworks and Daisies, can be found here. It covers daisies, cosmos, and cyclamen, which frame the film’s two leads, Shoya Ishida and Shoko Nishimiya.

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The Flower Language of A Silent Voice, Part 1: Fireworks and Daisies

“People who know flower language will be able to interpret each one’s message and that’s great, but I made it so that even if you don’t you can feel something because of the shot’s layout or the flower’s color. I’m happy to let that audience have their own interpretation.”

A Silent Voice director Naoko Yamada on the usage of flowers in her film

(more…)