First Impressions

Sing “Yesterday” For Me (because I don’t believe in it)

I’m getting old.

It’s not the kind of aging on which Sing “Yesterday” For Me has trained its sights on.

That type of aging, at risk of offending the majority of people who read this who will definitely be significantly younger than me, is a relatively young type of aging. It’s the post-university ennui. You’ve been told time and time again by people older than you — and that one acquaintance who actually managed to get a good job upon graduation and is rather obnoxious about it — that you really should have figured out what you want to do by this point in life. These same people also may have told you that whatever you actually wanted to do in life — photography, in the case of Sing “Yesterday” For Me‘s Rikuo Uozumi — wasn’t lucrative enough to have a career in. They (probably) meant the best for you by saying this, or at least thought that they did.

Sing “Yesterday” For Me not only reminded me of my past self at this specific time, but also the self that immediately followed. The one that looked back on that initial, fresh-from-graduation self and thought with a relieved sigh, “I’m so happy that I finally got through all that.”

My fresh-from-graduation self was a bit of an asshole.

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On the perception of fanworks (and Magia Record)

I’ve been thinking a lot about fanworks lately.

More specifically, I’ve been thinking a lot about fanfiction and how frequently it’s written off or denigrated publicly, but this also somewhat applies to fanart and other methods of engaging with a media property outside of the recognized canon.

Part of this is because of the recent Star Wars canon (I’m using this word very loosely here) post-The Rise of Skywalker, part of this is because I’m a fanfiction writer myself (compartmentalization comes remarkably easy to me), and part of this is because Magia Record aired today.

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Carole and Tuesday and how we talk about music

A world without music. A world without art. A world without — insert Shoji Kawamori voice here — culture.

This is the setting of Carole and Tuesday. Fifty years after Mars was colonized by humanity, everything culture-related is designed by algorithms. It’s not a society without culture per se, but it’s one where art is completely removed from human hands — a much more realistic outcome of what is currently happening across every artistic discipline.

Carole and Tuesday isn’t the first series to take on a world without music or art, but it could end up being one of the most prescient.

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Good morning! Sara-zanmai speculation and Ikuhara Greek choruses

Who is Sara?

The short answer is, a local idol of Asakusa in Sarazanmai. The longer answer could relate to a kappa’s head dish (sara) and director Kunihiko Ikuhara’s penchant for Greek choruses.

Major spoilers for Mawaru Penguindrum. Mild spoilers for Revolutionary Girl Utena.

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