First Impressions

Keep Your Hands Off Eizouken! and “the greatest world”

This is it. The greatest world.

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On the perception of fanworks (and Magia Record)

I’ve been thinking a lot about fanworks lately.

More specifically, I’ve been thinking a lot about fanfiction and how frequently it’s written off or denigrated publicly, but this also somewhat applies to fanart and other methods of engaging with a media property outside of the recognized canon.

Part of this is because of the recent Star Wars canon (I’m using this word very loosely here) post-The Rise of Skywalker, part of this is because I’m a fanfiction writer myself (compartmentalization comes remarkably easy to me), and part of this is because Magia Record aired today.

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Carole and Tuesday and how we talk about music

A world without music. A world without art. A world without — insert Shoji Kawamori voice here — culture.

This is the setting of Carole and Tuesday. Fifty years after Mars was colonized by humanity, everything culture-related is designed by algorithms. It’s not a society without culture per se, but it’s one where art is completely removed from human hands — a much more realistic outcome of what is currently happening across every artistic discipline.

Carole and Tuesday isn’t the first series to take on a world without music or art, but it could end up being one of the most prescient.

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Good morning! Sara-zanmai speculation and Ikuhara Greek choruses

Who is Sara?

The short answer is, a local idol of Asakusa in Sarazanmai. The longer answer could relate to a kappa’s head dish (sara) and director Kunihiko Ikuhara’s penchant for Greek choruses.

Major spoilers for Mawaru Penguindrum. Mild spoilers for Revolutionary Girl Utena.

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Nostalgia, Touch, and Mix: Meisei Story

When Cross Game initially aired, the small handful of western Mitsuru Adachi went to work, attempting to spread the word of a bestselling Japanese artist who was an unknown in the west. Touch, a domestic phenomenon in Japan, was cited in tandem with Cross Game as his most influential and greatest work. Although Cross Game is more accessible — especially for western anime viewers — and modern, Touch is Adachi’s magnum opus. Mix: Meisei Story is Adachi’s latest, set in the same universe as Touch, decades later.

It’s impossible to talk about Mix without mentioning Touch, but not for the reasons you may think.

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