Gatchaman Crowds Insight

Avant Garde, Kitsch, and a Return to Gatchaman Crowds

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No sooner had she muttered, “Man, I’m hungry,” as the camera lingered on her mostly uneaten lunch than I loved Hajime Ichinose. She was colorful and quirky, but had trouble expressing herself clearly through speech. A person of action, she was restless from the moment that Gatchaman Crowds introduced her in her school classroom.

Throughout its 12-episode run, Hajime and Crowds enthralled me, telling a modern superhero story within the frameworks of art history and social media. It inspired me to blog incessantly, chattering about art movements and Constantin Brâncuși while alluding to my own personal resonance. Watching Crowds, and sharing my thoughts, were immensely personal experiences. Now, a bit more removed from my initial reactions to the series, I can safely say that it’s one of my all-time favorites.

And yet, when I heard that Gatchaman Crowds would have a second season, I wondered why.

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