This season’s latest critical darling, Shin Wakabayashi’s Wonder Egg Priority, has been described as, if Kunihiko Ikuhara (Revolutionary Girl Utena, Mawaru Penguindrum) and Naoko Yamada’s (A Silent Voice, Liz and the Blue Bird) respective animated series had a love child. This is a fairly apt description based on the first episode, and although many upon first hearing this will wonder what exactly that looks like and how two styles that seem fairly incongruous would go together, those styles do work and the result is Wonder Egg Priority.
If you want to be particularly meta about it, the result is the description comparing two existing directorial styles and the description is also the result. It’s something new, born of known visual languages.
Naoko Yamada’s influence throughout the anime industry, particularly with various directors’ use of flower language, continues to impress me. In Shin Wakabayashi’s Wonder Egg Priority, flower language is front and center throughout the entirety of the first episode as running visual commentary alongside Ai Outo’s journey to save her friend, Koito Nanase.