chito

What we think of when we think of death — experiences, dreams, and Girls’ Last Tour

One of the frequently-cited limitations to the human imagination is an inability to imagine certain things beyond the scope of experience. More often than not, the act of dying in a dream leads to the dreamer waking up suddenly. We know of death as a concept, but it’s difficult to imagine because there is no way to simulate the experience in real life other than actually dying. Your brain will not only instinctively fight to keep you alive, but it also — being the organ tasked with coordinating your existence — naturally eschews the idea of non-existence.

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The physicality of Girls’ Last Tour

In sixth grade, I joined concert band. I was the only girl in the trombone section. There were only about five of us in total, including a kid from my elementary school, Ben. We were friendly acquaintances but not close friends. Ben was the funny kid, and as the funny kid, he thought it would be cool to gross out the rest of the band by waiting to release his spit valve until it was as full as he could make it. He would then release it on the floor in front of the section.

Spit has grossed me out ever since.

When Chito (Chii) pulls her hand out of Yuuri’s (Yuu) mouth in the first episode of Girls’ Last Tour, there is an audible pop. Yuu’s face stretches before releasing Chii’s hand and a trail of spit shines in the air. It’s a disgusting and funny scene to watch. Chii puts Yuu’s spit to good use — it allows her to pinpoint the direction of a breeze that eventually leads them out of the tunnel — but these slime trails of spit are also visceral reminders of Yuu and Chii’s existence.

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‘Cause there’s no nicer witch than you: the visuals and magic of Flying Witch

flying witch JC STAFF, flying witch OP, flying witch opening makoto and friends, flying witch episode 12 final

“It’s such an ancient pitch.

But one I wouldn’t switch,

‘Cause there’s no nicer witch than you.”

-Frank Sinatra, “Witchcraft”

It’s always easy to write about something emotionally resonant, something socially relevant, something that wishes to make a specific point. Regardless of whether these types of series actually succeed, I’ve always found that they leave me with something to say, be it complimentary or not.

More difficult is writing about something that’s consistently good — something that, at every level, delivers exactly what it promises in a charming and pretty package. I rarely write about series that simply please me because there’s often not much more to say aside from, “This is really good. Go watch it.”

Keeping my own writing inadequacies in mind, I’m going to make an attempt at writing about the most delightful series of this past spring: Flying Witch.

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