The majority of Bloom Into You‘s opening sequence flower language begins with lead couple Touko Nanami and Yuu Koito’s friends: Sayaka Saeki, Akari Hyuuga, and Koyomi Kanou. Koyomi and Akari are each given two specific flowers that relate to their respective relationships — in the case of Koyomi they give us more detail on her love of writing, and in the case of Akari they tell us more about her one-sided romance. Sayaka is a bit more complex, and is shown with a wide arrangement of flowers that discuss the depth of her relationship with Touko in great detail, hinting at what might be to come from later episodes in the series.
Bloom Into You makes it a point to show them first in the opening, which establishes a baseline for how we’re supposed to read the hanging flowers above the desks, petals below, and flower arrangements. In all three cases of the periphery characters (Sayaka, Akari, and Koyomi) the language of the individual flowers represent their respective emotions, but the presence of flowers, and flower petals, above and beneath their desks, represents a more general desire or love. In Touko and Yuu’s cases, flowers showcase their relationship with each other as well as their outlooks on current relationships as a whole.
Naturally a series titled Bloom Into You — although the literal translation of Yagate Kimi ni Naru would be “eventually I become you” — is going to be rife with flower language. I would have been disappointed had it not. Here’s a bit about what the flowers in the opening sequence could be saying about series leads Yuu Koito and Touko Nanami as well as their supporting cast.
What’s most noticeable from the first few scenes is that Touko and Yuu aren’t paired with each other, but instead featured alongside their close friends, with shed flower petals underneath their desks. In Touko’s case, pictured in the shot above, it’s Sayaka Saeki who is given the flower treatment. Yuu is pictured between her junior high school friends Koyomi Kanou and Akari Hyuuga. Their individual flowers featured in the opening give us insight into their personalities, especially Sayaka, whose motivations haven’t been made as clear as those of Akari and Koyomi.
The white lily (shirayuri/白百合) is the third image to appear in Yuri Kuma Arashi. First the anime opens with what we learn later is a bear alarm — resembling a tornado or earthquake siren — next, an outside shot of Arashigaoka Academy, complete with a title. Kunihiko Ikuhara loves stagecraft and with less time to work with, Yuri Kuma Arashi‘s episodes are packed with images, often accompanied by specific titles, to set the stage.
The chrysanthemum and cherry blossom are both national flowers of Japan. They’re also the names of the two plantations that “kiss” in Episode 5 of Darling in the Franxx, bringing two teams of parasites together.
Watching a reboot or sequel to a classic favorite is inevitably an awkward endeavor. I first experienced this in anime through Sailor Moon Crystal, a reboot of one of the properties that, among other highly personal things, gave me an initial push down the path of becoming a lifelong anime fan. Crystal was a homecoming at first, then a massive disappointment, then a fun return to a franchise that resonated with me unlike any other media property from elementary school through my own adolescence.
Even returning to Naruto through Boruto was accompanied by an odd feeling of time passing without me. I was never deeply immersed in the world of Naruto, or even too emotionally attached to any of the characters. Despite never finishing the Naruto anime itself, I enjoyed the time I spent watching it and my passive participation in the fandom consuming fanworks. Perhaps this is why Boruto initially registered as a fanwork itself, albeit an official one, in my mind.
Yet, Card Captor Sakura is neither Sailor Moon nor Naruto for me. Revisiting Card Captor Sakura is another, different experience and return to a beloved franchise.