“Myoue, I’ve been wondering, can we stay together a little longer? We’ve come all this way, and even came back to life and all. I can promise I’ll finish everything off. Let’s stay together just a little longer.”
-Koto to Myoue, Kyousougiga, Episode 10
A common thread in Rie Matsumoto’s directorial work is the inevitable destruction of whatever world she has spent the majority of the series or movie building. There is a ruined garden, structures flying everywhere, and an overall sense of disorientation in the face of the work’s respective protagonist coming to terms with what is most important to them.
As it turns out, what is most important is also wholly mundane and unquantifiable.
In light of recent themes addressed in Gatchaman Crowds, I’ve been doing a great deal of thinking about heroes, superheroes, and their ilk, arriving at the realization that multiple anime series offer a specific personality drawn, quite literally, to dreams of being a superhero. A character who communicates more easily through visual arts than the spoken or written word all too often expresses themselves through dreams, and drawings, of heroism or saving others.
I personally love this idea – not coincidentally because it is near and dear to my heart – because it ties into ideas of how various people communicate in different ways. If one is unable to communicate properly through speaking or writing, they are often more likely to project their desires into visuals. It just so happens that, all too often, these visuals are ones of heroism or traditional superhero values. In asking the question, “Why?” it’s possible to set an interesting framework through which to view these more artistically-inclined personalities.