kanba takakura

Super Frog Saves H-trio — Himari Takakura and the divine

Himari Takakura’s first brush with divinity came years before she met Sanetoshi in the library.

Forgive me, for I am about to blaspheme (a bit).

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Kappas, kawauso (otters), Mawaru Penguindrum, and more early Sarazanmai speculation

One of the most striking images from the main Sarazanmai preview trailer is of a red stain expanding outwards from an icon of an otter in a heart. The stain looks like a blood droplet spreading across Asakusa just above (or below in relation to this map, which is rotated) the Sumida River. Sarazanmai‘s Asakusa policeman duo of Reo Niiboshi and Mabu Akutsu appear to set this reaction in motion by throwing their hats in the air and yelling about extracting desire — complete with a transformation sequence that includes a lot of rising otter icons and the character “吸” for sucking or extracting. Given that the basic outline of the story involves three junior high school students transformed into kappa in search of tiny balls (shirikodama) inside the anuses of kappa zombies, Reo and Mabu’s presumed transformation where they “milk desire” is already an interesting addition.

The relationship between kappa and otters (kawauso) goes back to Japanese folklore, much like the existence of the shirikodama itself. Sarazanmai director Kunihiko Ikuhara used a kappa and otter motif around the parents of Mawaru Penguindrum‘s Ringo Oginome in a rather insidious way that could tell us a lot about his plans for a similar motif in Sarazanmai.

Major spoilers for Mawaru Penguindrum.

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A slightly-too-early primer of Kunihiko Ikuhara’s Sarazanmai

In two weeks, director Kunihiko Ikuhara’s latest original anime, Sarazanmai, will air in Japan. I’ve found few anime as immersive, both coy and direct with their symbolism, and as emotionally-affecting as Ikuhara’s original works, which include Revolutionary Girl Utena, Mawaru Penguindrum, and Yurikuma Arashi. They all have something important to say and reward watching (and rewatching) with a careful eye. To say that I’m looking forward to Sarazanmai is an understatement.

I rarely preview series, but in the interest of digging into Sarazanmai as soon as possible, and organizing my own thoughts before the first episode airs on April 11, here is a collection of themes that the series may be looking to tackle, based on the information available thus far and Ikuhara’s previous work.

This won’t be as in depth regarding some of the names behind Sarazanmai outside of Ikuhara and a few others. For more on that check out this post at Sakuga Blog. Also special thanks to Good Haro for translation work and providing additional pre-release material.

Major spoilers for Mawaru Penguindrum.

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Introducing Ringo Oginome — Mawaru Penguindrum Episode 2

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“I love the word ‘fate.’ You know how they talk about ‘fated encounters.?’ Just one single encounter can completely change your life. Such special encounters are not coincidences. They’re definitely . . . fate. Of course, life is not all happy encounters. There are many painful, sad predicaments. It’s hard to accept that misfortunes beyond your control are fate. But I think sad and painful things happen for a reason. Nothing in this world is pointless. Because, I believe in fate.”

-Ringo Oginome, Mawaru Penguindrum, Episode 2

Ringo Oginome is a complex character, steeped in guilt, longing, love, and later, forgiveness. Her many facets make her not only tolerable within the scope of Mawaru Penguidrum, but wholly lovable, despite her introduction in the series’ second episode as the stalker of the Takakura brothers’ homeroom teacher.

She’s introduced with a grand speech about fate, rivaling the iconic opening monologue from Shouma Takakura in the series premiere and the equally passionate closing words of his brother Kanba that bookend the episode.

She’s also introduced with a toilet flush, stars wafting from the bowl like a lingering, undeniable stench.

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