kare kano

Their (Our) Private Life: Horimiya

The opening sequence of Horimiya, a combined effort from series director Masashi Ishihama and Haruka Iizuka, is stylish and purposeful. It has a similar stylishness that the opening of the Ishihama-helmed Persona 5 anime adaptation had without a similar burden of the original source material. Characters are placed into boxes that don’t quite match up, or placed next to boxes and panels of things we don’t yet understand as an audience, but likely mean a lot to the person they’re placed beside.

Even when characters are in the same room, like the shot above of the two main characters (Kyouko Hori and Izumi Miyamura) with two side characters (Toru Ishikawa and Yuki Yoshikawa), none of the backgrounds, lighting, colors, or physical presence add up. They’re all in the same classroom, and same class, but don’t exist in the same space.

For a series that is all about the gap between one’s private and public life, this opening sequence is the perfect visual introduction.