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More on Bakemonogatari and Narration

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“At our three-year high school with two hundred students in each grade, you end up sharing a living space with about a thousand people in all during your stay if you include the graduating and incoming classes and the faculty. Start wondering how many of those people mean anything to you, and the answer is going to be bleak for just about anyone.”

-Koyomi Araragi, Bakemonogatari vol. 1

The Monogatari series — both in the light novels and the anime — is known for its verbosity. This is why the Kizumonogatari movies were so novel to me. Nearly all of their storytelling was done visually, removing the Koyomi Araragi monologues and narration that define the Monogatari series. Hiroshi Kamiya’s voice permeates the series, and even later installments of Monogatari Series: Second Season feature monologues from the series’ beloved heroines.

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[Five] No, Mr Araragi, I want you to die (with me)

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Part of me wishes that I could erase my memory of the Monogatari series completely, and watch Kizumonogatari Part 1: Tekketsu with fresh eyes.

I wonder what I would see. How I would interpret the visual feast that the film provides. If I would have fallen in love with the film as I did with the series in 2009 when I watched Hitagi Senjougahara fall into Koyomi Araragi’s arms, his inner monologue a constant accompaniment.

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The Consequence of Sound — Kizumonogatari

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2:24.

This is the exact amount of time that the opening moments of the first episode of Bakemonogatari goes without lead Koyomi Araragi speaking a word.

“A better decision than dodging, wasn’t it?”

The first words out of Hiroshi Kamiya’s mouth as Araragi form this question, followed by an immediate and unsure retraction that devolves into a constant stream of Araragi’s innermost thoughts.

Upon revisiting the first episode of the series — going by initial airdate, not chronology or any other measurement — I was shocked to find that he went this long without speaking. Araragi’s voice is synonymous with the Monogatari franchise at this point. His monologues long-winded, his conversations unnaturally verbose — Kamiya’s specific Araragi tone is etched in every viewer’s mind who has watched Bakemonogatari or other parts of the series. When I picked up the Kizumonogatari novel, I somehow heard Kamiya’s voice in my head, despite reading it in English, not Japanese.

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Shinobu Mail and Suruga Kanbaru’s Turn

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Previously, on Owarimonogatari, the Sodachi Lost narrative arc provided Tsubasa Hanekawa with a perfect opportunity – the opportunity to show just how much she’s changed both over the course of the series and her most chronologically-recent appearance in Tsubasa Tiger. She delivers a crucial line of dialogue at exactly the right time in such a forceful way that it immediately unifies her with the despairing Sodachi Oikura. They travel the same path, but are at dramatically different points on that path, and Hanekawa’s words help guide Oikura out of her powerful self-loathing spiral.

This week, in Shinobu Mail, it was Suruga Kanbaru’s turn to shine.
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