kureha tsubaki

#4 — Yuri Kuma Arashi (2015)

I didn’t enjoy Yuri Kuma Arashi all that much on first watch. I enjoyed dissecting it and writing about it, but it didn’t fill me with the same exuberance of Kunihiko Ikuhara’s other works (Revolutionary Girl Utena and Mawaru Penguindrum). The ending was phenomenal but the series itself felt too dense. The characters were too distant and cold. And the series felt like it had more than its 12 episodes allowed it to say.

I’ve not-so-coincidentally mentioned this regarding Sarazanmai‘s placement in my personal top ten of the decade as well, and expect that I’ll feel differently after watching it a few times as well, but I don’t think it will ever top Yurikuma for me due to personal reasons. With every rewatch, Yurikuma remains dense but admirably concise in its storytelling. Like any Ikuhara series, there is more to discover with every rewatch, but only with Yurikuma have I loved the series exponentially more with each viewing.

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Kureha Tsubaki and flower language in Yuri Kuma Arashi

The white lily (shirayuri/白百合) is the third image to appear in Yuri Kuma Arashi. First the anime opens with what we learn later is a bear alarm — resembling a tornado or earthquake siren — next, an outside shot of Arashigaoka Academy, complete with a title. Kunihiko Ikuhara loves stagecraft and with less time to work with, Yuri Kuma Arashi‘s episodes are packed with images, often accompanied by specific titles, to set the stage.

Then a white lily appears.

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The Visible Storm of Yuri Kuma Arashi

At Arashigaoka Academy, blending in is not only a way of live, it’s introduced as the only way to survive. While the body count rises in Yuri Kuma Arashi, so do the cries from various young women in the series to uphold the status quo at all costs. Sumika Izumino is announced as the first casualty within the scope of the series and all her classmates can say about her rumored death is that it was her fault for going out alone. Friends are necessary for survival. The Wall of Severance is constantly being rebuilt to keep the bears, the others, out. The Invisible Storm consumes those who don’t follow the status quo and stay within the lines.

Blend in completely. Be invisible. Those who cannot read the atmosphere are evils inevitably sought after, found, and obliterated by the Invisible Storm.

For people who are supposed to make a homogeneous background pattern, thereby becoming invisible, these young women — lily and bear alike — are oddly conspicuous individuals.

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Yuri Kuma Arashi: Constructing a Wall of Severance

yurikuma op, lulu yurigasaki, ginko yurishiro, ginko and lulu yurikuma, yuri kuma arashi

Let’s talk construction – snazzy hard hats, ubiquitous cranes, winches, and the existing status quo. That is sexy. Shabadadu.

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On Beginnings, Endings, and Yuri Kuma Arashi

anthy himemiya, anthy, utena, revolutionary girl utena end, anthy leaves ohtori academy, the rose bride

“You really don’t know what happened, do you? It doesn’t matter. By all means, stay in this cozy coffin of yours and continue to play prince.”

-Anthy Himemiya to Akio Ohtori, Revolutionary Girl Utena, episode 39

Each Kunihiko Ikuhara series begins with a system, and the system always remains, even at the series’ end.

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