light novels

More on Bakemonogatari and Narration

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“At our three-year high school with two hundred students in each grade, you end up sharing a living space with about a thousand people in all during your stay if you include the graduating and incoming classes and the faculty. Start wondering how many of those people mean anything to you, and the answer is going to be bleak for just about anyone.”

-Koyomi Araragi, Bakemonogatari vol. 1

The Monogatari series — both in the light novels and the anime — is known for its verbosity. This is why the Kizumonogatari movies were so novel to me. Nearly all of their storytelling was done visually, removing the Koyomi Araragi monologues and narration that define the Monogatari series. Hiroshi Kamiya’s voice permeates the series, and even later installments of Monogatari Series: Second Season feature monologues from the series’ beloved heroines.

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The Consequence of Sound — Kizumonogatari

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2:24.

This is the exact amount of time that the opening moments of the first episode of Bakemonogatari goes without lead Koyomi Araragi speaking a word.

“A better decision than dodging, wasn’t it?”

The first words out of Hiroshi Kamiya’s mouth as Araragi form this question, followed by an immediate and unsure retraction that devolves into a constant stream of Araragi’s innermost thoughts.

Upon revisiting the first episode of the series — going by initial airdate, not chronology or any other measurement — I was shocked to find that he went this long without speaking. Araragi’s voice is synonymous with the Monogatari franchise at this point. His monologues long-winded, his conversations unnaturally verbose — Kamiya’s specific Araragi tone is etched in every viewer’s mind who has watched Bakemonogatari or other parts of the series. When I picked up the Kizumonogatari novel, I somehow heard Kamiya’s voice in my head, despite reading it in English, not Japanese.

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Beyond the Boundary of Arrogance

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Something stinks about Kyoukai no Kanata, and I love it.

From the very first scene, and opening lines, Kyoukai no Kanata is everything that your delusional teenage self wrote down in your not-so-secret diary to combat your own isolation and awkwardness. It tells its story with the same gravity that you would have given it at that age, with the straightest of faces and the burning desire to impress. Akihito Kanbara is an immortal half-demon – in spite of the his claim that there is nothing special about himself – whose only companion is Mitsuki Nase, the beautiful childhood friend who is also the president of the Literary Club. Cue the incident that changes his life forever, which also involves a cute girl. Oh, and she’s special as well, because she fights demons.

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