mahiru tsuyuzaki

The Disappearance of Hikari Kagura

“Those who cannot wake up in the morning. Those who are content standing on the sidelines. Those people will never be called upon.”

-Giraffe to Karen Aijou, Shoujo ☆ Kageki Revue Starlight, Episode 1

The next phrase out of the giraffe’s mouth is, “Well then, I must ask you to leave.” Yet as he says this, Karen has already climbed all the way up his neck. She uses it as a slide in order to crash the revue duels and save childhood friend Hikari Kagura. This is who Karen is. And it’s this personality that makes her the perfect person to break the cycle. She doesn’t fit the Takarazuka Revue mold.

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The melancholy of a musumeyaku (part two) — Shoujo ☆ Kageki Revue Starlight’s Karen Aijou

Hikari Kagura’s purported Episode 10 betrayal of childhood friend Karen Aijou is shown in Shoujo ☆ Kageki Revue Starlight‘s first episode. Not foreshadowed, straight up shown, albeit in a dream. From the opening moments of the first episode — when various members of the class introduce themselves around position zero — to the revue duet and Hikari’s rumored heel turn, Karen and Hikari’s relationship is laid out for us visually via cinematography and staging. Hikari’s actions in Episode 10 aren’t shocking, especially with the road she (and Karen) traveled to that final dueling stage.

Once again, it has a lot to do with the series’ incisive look at the Takarazuka Revue.

(The following post will quickly review but also assume knowledge of the sacrifices a musumeyaku is expected to make for their otokoyaku partner in Takarazuka, which was covered in part one of this week’s Revue Starlight coverage.)

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The melancholy of a musumeyaku — Shoujo ☆ Kageki Revue Starlight’s Claudine Saijou

Throughout all of Shoujo ☆ Kageki Revue Starlight, we never see Claudine Saijou’s dueling stage. There are glimpses of it when Mahiru Tsuyuzaki’s performance crashes through several other revues, but Claudine doesn’t introduce her stage. She doesn’t receive a standalone episode — for all of the talk that the show does Mahiru dirty, at least she receives her own spotlight episode and somewhat cathartic revue — and is all too often shown in relief to Maya Tendou. Even when Claudine is separate from Maya, her dedication to becoming a stage girl is irrevocably tied to Maya or she is put in a position to support someone else (namely Futaba Isurugi after Futaba fights with Kaoruko Hanayagi).

None of this is a coincidence and it all revolves around critiquing the Takarazuka Revue.

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“Fly Me to the Star” — tracking the iterations of Shoujo ☆ Kageki Revue Starlight’s ending sequence

“I’ve always had my eye on you.

Seeing you let me leave my loneliness behind.

But the moon bites back its laughter again tonight.

Won’t you turn my way?

Oh, fly me to the star.”

– “Fly Me to the Star,” Shoujo ☆ Kageki Revue Starlight, ending song

It’s no coincidence that Shoujo ☆ Kageki Revue Starlight‘s ending song, “Fly Me to the Star,” can sound like both a romantic confession or a plea from a fan for a star to look their way. Top stars of the Takarazuka Revue have massive individual fanbases. Part of the Takarazuka appeal is going to see your favorite star onstage, and top star candidates are evaluated not only on their physical attributes and talent, but their stage presence and marketability. Within Revue Starlight, this is a reminder that the trainees shown are not only revue trainees but also fans of each other, in a way — the manner in which the trainees approach Maya Tendou is another example of this.

It’s also no coincidence that Hikari Kagura stars in the first rendition of the ending sequence. She might seem like an odd choice, especially for the third episode — “Fly Me to the Star” was not featured as the series ending in Episodes 1 or 2 — because there’s so much focus on Karen Aijou’s defeat to Maya. Yet, this is also the episode where Nana “Banana” Daiba announces that she’s going to be doing more on the production side of things, and where Hikari first truly reaches out to Karen, albeit only to slap her in the face.

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Shoujo ☆ Kageki Revue Starlight, sparkles, and the comic relief episode

Tomohiro Furukawa’s overarching direction of Shoujo ☆ Kageki Revue Starlight is an interesting cycle of influence. Furukawa worked alongside Kunihiko Ikuhara on Mawaru Penguindrum and Yuri Kuma Arashi. Ikuhara’s directorial flair has clearly inspired a lot in Revue Starlight, especially in the mechanical transformation sequence that transitions Karen Aijou from Seisho Music Academy to a surreal underground dueling stage

Yet, Ikuhara was influenced by the Takarazuka Revue itself: the main subject of Revue Starlight. He also drew inspiration from Takarazuka-influenced anime and directors like Rose of Versailles and Osamu Dezaki. Rose of Versailles in and of itself is often synonymous with the Takarazuka Revue, and helped cement its top star system — the same system that is under scrutiny and criticism in Revue Starlight. Furthermore, Revue Starlight isn’t just an anime project, it’s a multimedia project that includes a stage play directed by former Takarazuka actress and director Kodama Akiko.

No other episode showcases this cycle of influences better than Episode 5, “Where Radiance Resides.”

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