It is called “flower story,” after all.
One of the Monogatari series’ greatest strengths is its inadherence to chronology. It often eschews placing events in chronological order to focus on a particular emotional narrative or relationship. The anime adaptation plays with this visually, revealing tidbits in background details that further inform viewers upon rewatching the series as a whole.
Koyomimonogatari is a series of short, seemingly frivolous episodes tertiary to the main storyline. They’re short diversions that span the length of what Monogatari arcs have aired, plopping the viewer into the center of that specific timeframe before jumping ahead to the middle of the next narrative arc. Chronology is usually discarded by the Monogatari series, but it has a deliberate role in Koyomimonogatari.
“Acting nice is a childish profession – pretending you’re someone else, and at the same time, selling yourself.”
Watching the fall, for lack of a better term, of Nadeko Sengoku is fascinating. It runs parallel to the cliched response upon seeing a trainwreck – “I simply could not look away! It was awful! Let me tell you how awful it was in gory detail!” – with an added air of delight. Typically, when we watch our idols “fall,” be them the quiet, pretty, girl-next-door, or the latest and greatest in pop music, there is an air of superiority that we’re encouraged to feel while watching the entire event.
Yet, I did not feel superior to Nadeko watching her cavort in a pool of blood. I was rooting for her. I wanted her to destroy everything.