owarimonogatari

Monogatari Collection: Koyomimonogatari

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One of the Monogatari series favorite tricks is playing with chronology. Adapting from the original Nisio Isin light novels which are also technically out of order chronologically, the anime series similarly scrambles the chronological order of its narrative arcs. This refocuses the series on the emotional development of specific characters that would otherwise be lost if the story was told in chronological order.

Airing immediately after Nekomonogatari: Kuro, Nekomonogatari: Shiro is the shining example of the Monogatari series’ success. Placing the two side-by-side thoroughly explores Tsubasa Hanekawa’s character growth from a time before the first Bakemonogatari series — and immediately after Kizumonogatari, the first arc in the chronological timeline — to nearly four months later.

Koyomimonogatari is a series of short stories collected into one light novel that span a large amount of time across what viewers are already familiar with, including the recent Owarimonogatari arcs of Ougi Formula, Sodachi Riddle, Sodachi Lost, and Shinobu Mail along with the theatrical release of Kizumonogatari‘s first film.

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Shinobu Mail and Suruga Kanbaru’s Turn

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Previously, on Owarimonogatari, the Sodachi Lost narrative arc provided Tsubasa Hanekawa with a perfect opportunity – the opportunity to show just how much she’s changed both over the course of the series and her most chronologically-recent appearance in Tsubasa Tiger. She delivers a crucial line of dialogue at exactly the right time in such a forceful way that it immediately unifies her with the despairing Sodachi Oikura. They travel the same path, but are at dramatically different points on that path, and Hanekawa’s words help guide Oikura out of her powerful self-loathing spiral.

This week, in Shinobu Mail, it was Suruga Kanbaru’s turn to shine.
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Knowing What She Knows: Tsubasa Hanekawa

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“You’re not happy because you’re not trying to be happy. Nobody can make someone who isn’t trying to be happy into someone that’s happy.”

-Tsubasa Hanekawa to Sodachi Oikura, Owarimonogatari, Episode 5

Had this line been spoken by anyone but Tsubasa Hanekawa, it would have rightfully been dismissed as a treacly platitude, meant to prod the recipient into action. Instead, it acts as a powerful summation of all that Hanekawa has gone through in search of her own happiness and self-acceptance. Hanekawa was in Sodachi Oikura’s figurative shoes not long ago, and remembers all too well how she blocked out vital parts of herself in pursuit of perfection rather than addressing her innermost desires and seeking out personal contentment.

Owarimonogatari‘s Sodachi Oikura offers not only a reminder of the Hanekawa of Nekomonogataris past, but additionally provides a mystery on which the new, self-assured Hanekawa can cut her teeth.

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The Visuals of a Locked Room Mystery: Owarimonogatari and The Perfect Insider

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A tradition of detective fiction, the locked room mystery requires very little at its core. There are no exotic locales required, nor are many props or even people required. At its essence, a locked room mystery can thrive in simplicity– a standard crime scene, limited access, and an ultimately solvable situation for the detective, if not the audience as well.

This same simplicity is accompanied by many pitfalls. If the mystery is solvable for the audience, it cannot be too difficult or too easy, lest they come away disappointed. When the mystery revolves more around the characters themselves, said characters must be interesting or emotionally resonant. A simple setup makes both poor characterization or the lack of a compelling mystery all the more apparent.

In anime, the presentation of a locked room mystery is compounded by the difficulty of showing the mystery – often accompanied by large swaths of expository dialogue – visually, without giving too much away and all while captivating the viewer.

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