suruga kanbaru

Color Theory in Shinobu Mail and the Monogatari Series

The Monogatari anime adaptation has always paid close attention to color. Although SHAFT can — and has been, rightfully so in my opinion — criticized for their lack of animation at times while drawing the Monogatari series into its animated form, there’s no denying its purposeful style or cinematography, which changes from narrative arc to narrative arc

Along with other stylish visual choices that set the adaptation firmly apart from its source material, color creates an ancillary emotional narrative, or helps direct the viewer’s attention to a specific character, even if that character is offscreen.

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Shinobu Mail and Suruga Kanbaru’s Turn

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Previously, on Owarimonogatari, the Sodachi Lost narrative arc provided Tsubasa Hanekawa with a perfect opportunity – the opportunity to show just how much she’s changed both over the course of the series and her most chronologically-recent appearance in Tsubasa Tiger. She delivers a crucial line of dialogue at exactly the right time in such a forceful way that it immediately unifies her with the despairing Sodachi Oikura. They travel the same path, but are at dramatically different points on that path, and Hanekawa’s words help guide Oikura out of her powerful self-loathing spiral.

This week, in Shinobu Mail, it was Suruga Kanbaru’s turn to shine.
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The One Thing I Can Always Do

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Before I knew it

Even my nonsensical dreams

Passed me by

And my feelings were tangled.

Run, run!

It’s the one thing I can always do.

– From “Ambivalent World,” opening to Bakemonogatari episodes 6-8

I don’t know when running began to mean something to me.

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