suruga kanbaru

[Two] I am thou, thou art I: the end of Monogatari (Owarimonogatari Season 2)

“I had believed that not taking care of myself was the act of loving others. The days of kind deception, filled with thin, weak euphoria have now come to an end.”

-Koyomi Araragi, Owarimonogatari Season 2, Episode 7

The Monogatari franchise is often incorrectly labeled as another harem where the male lead (Koyomi Araragi) saves a bevy of cute girls. Bakemonogatari starts this way, Nisemonogatari meanders, and it’s not until Monogatari Second Season that the series really begins unravel preconceived notions of the audience and in-universe characters. At the end of the long, emotionally-exhausting, and verbose journey, the series lays everything bare. Monogatari is not about saving others. It’s about saving yourself.

And only you can save yourself.

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[Three] Nadeko Everything (Owarimonogatari Season 2)

“If the world can’t be the way I want

Then I have no use for it anymore

There’s only one thing I desire

Everything, everything, everything, everything.”

-Nadeko Sengoku, “Delusion Express,” Monogatari Series Season 2

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Color Theory in Shinobu Mail and the Monogatari Series

The Monogatari anime adaptation has always paid close attention to color. Although SHAFT can — and has been, rightfully so in my opinion — criticized for their lack of animation at times while drawing the Monogatari series into its animated form, there’s no denying its purposeful style or cinematography, which changes from narrative arc to narrative arc

Along with other stylish visual choices that set the adaptation firmly apart from its source material, color creates an ancillary emotional narrative, or helps direct the viewer’s attention to a specific character, even if that character is offscreen.

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Shinobu Mail and Suruga Kanbaru’s Turn

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Previously, on Owarimonogatari, the Sodachi Lost narrative arc provided Tsubasa Hanekawa with a perfect opportunity – the opportunity to show just how much she’s changed both over the course of the series and her most chronologically-recent appearance in Tsubasa Tiger. She delivers a crucial line of dialogue at exactly the right time in such a forceful way that it immediately unifies her with the despairing Sodachi Oikura. They travel the same path, but are at dramatically different points on that path, and Hanekawa’s words help guide Oikura out of her powerful self-loathing spiral.

This week, in Shinobu Mail, it was Suruga Kanbaru’s turn to shine.
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