Supernatural stories at their finest ensure that — no matter how grand of a spectacle their conflicts become — they never stray away from intimate experiences with which their audience can resonate.
For example, one of the most affecting scenes in The Eccentric Family is that of an eldest brother holding up a smartphone to the ear of one of his younger brothers, a brother that just happens to be a frog. Visually, it’s ridiculous. Emotionally, it has the power to move a viewer’s heart, becoming an iconic image.
In its first season, The Eccentric Family started big before focusing on the personal struggles and triumphs of one tanuki family. This allowed the second season to immediately narrow its focus with a personal anecdote, then cast a wider net, capturing a few more conflicts before honing in on the personal once more. The problems and warmth of the Shimogamo family remain in the background — including a wonderful scene where Tousen, now the Shimogamo matriarch, visits her elderly mother — but the series has now shifted to include the devilish human trickster Tenmaya, and Professor Akadama’s (tengu Yakushibo Nyoigatake’s) estranged son Nidaime (Junior).
“Humans live in the city, tanuki crawl the earth, and tengu fly through the air. Since the city’s establishment humans, tanuki, and tengu have maintained a delicate balance. That’s what keeps the great wheel of this city turning round and round. And watching that wheel spin is more fun than anything else.”
-Yasaburo Shimogamo, The Eccentric Family, Episode 1
This monologue from tanuki Yasaburo Shimogamo opens the first season of The Eccentric Family. After a season turmoil, warmth, forgiveness, and love, these words close the season as well.
The first episode of The Eccentric Family‘s second season eschews Yasaburo’s monologue about the hierarchy of tengu, tanuki, and humans in Kyoto. It wasn’t at all what I had expected.