“I’ve come to rescue you from ‘boredom.'”
Let’s talk fanservice.
“Her character was locked in as translucent — like a shadow, or the air. The kind of girl you can’t touch. The girl you long for, but there is nothing about her that you can hold.”
– Yoshiyuki Sadamoto on Rei Ayanami’s character design in Neon Genesis Evangelion
So many have followed in her footsteps that it’s now difficult to believe that Rei Ayanami’s design was unique. While her specific character has stood the test of time, her appearance, along with her more superficial character traits, has not. Plastic Memories’ Isla is one of many expys attempting to capture the elusive allure of the original “premium girl.”
The Disappearance of Nagato Yuki-chan begins peacefully.
“But I’m in a bind…I didn’t bring an umbrella.”
“One will be enough.”
-A conversation between Kyon and Haruhi Suzumiya, The Melancholy of Haruhi Suzumiya, episode 28.
I can still recall the days when it rained while I was in high school. The hallways sounded different, as shoes squeaked noisily against the floor, water dripped from jackets in lockers and coat closets, and bright yellow “caution” signs were quickly unfolded, placed in strategic locations to prevent students from slipping. Above all, there was a scent, specific only to rainy days; that undeniable “school smell” amplified by musty raincoats, and wet rubber. Rainy days stood apart from the days that preceded them in the week, isolating themselves, causing sunny days to blend together in comparison.
Hand in hand with this power to isolate, rainy days often carry with them a level of introspection. Some days, when it rains, it feels as if time has slowed, or come to a gentle stop. Yuyushiki uses this feeling to its advantage, effectively separating its main cast of Yui, Yukari, and Yuzuko from the rest of the series for a moment of reflection before the series comes to an end in the following week.
In this way, Yuyushiki has the perfect penultimate episode.