“Friends are important above all else, right? We, in this classroom right now, are all friends. Don’t you think that those who deny our feelings are the scum of the earth? Those who stray from us are irredeemable. People who don’t stain themselves our color are nothing but trouble, right? We have a word for people who can’t read the mood: evil. Izumino Sumika was killed by a bear because of that. But that was entirely her fault, for she was evil. We must proceed to select the next evil to exclude. Let’s . . . search . . . evil!”
-Eriko Oniyama, Yuri Kuma Arashi, Episode 3
Those evil people aren’t going to exclude themselves, you know?
I don’t remember the first time I realized an inherently unfair societal norm or institution. The closest anecdote that comes to mind is a silly debate that divided my fifth grade class by the sexes. At stake was the ability to play flag football at recess with the boys, which had been recently outlawed by our teacher. There weren’t enough of us who wanted to play without having coed groups, so the recent ban against combining boys and girls had led to no flag football at recess for anyone.
Fortunately, our teacher was also the sort who generally wanted us to find our own answers, and thereby organized a debate. The girls team met that night at my friend Diana’s house. We researched previous legal cases, coordinated our outfits, and drew up charts with pertinent facts.
The debate itself was quite orderly. For their part, the boys weren’t as organized and didn’t care much about defending their position. Yet, when it came time for my teacher to make a decision, she still erred on the side of caution – and angry parents – by upholding the existing rule.
Yuri Kuma Arashi‘s fourth episode reintroduces us to Lulu Yurigasaki as a princess trapped by her inability to accept the love of her brother. When unoccupied with nefarious activities like boxing up her younger brother and kicking him into volcanoes, Lulu spends the majority of her leisure time isolated in a tower befitting a story book princess. Similar to the use of Himari Takakura’s bedroom decor inMawaru Penguindrum, Lulu’s surroundings, and how they change throughout the episode, reveal quite a bit about her situation and desires.