yutaka “peco” hoshino

Paneling 101: Scum’s Wish and Doukyuusei

Just over four and a half minutes into the short film, paneling appears in Doukyuusei.

First, the hands of guitarist Hikaru Kusakabe appear in an isolated panel, centered over black. Next, his band is shown with the lead singer thrashing wildly, the drummer’s hands and hair nearly a smear in the background. Finally, Hikaru is shown again, isolated and still, save his strumming hands.

In this moment, he’s thinking of his classmate — and soon-to-be significant other — Rihito Sajou. The band moves around him, but he’s lost in his own world, as shown by isolating his moving fingers in a panel and later, his still body in a full frame. Paneling is used a few times in Doukyuusei, always to display heightened emotion or to draw attention to the feelings of a specific character. It reminded me of the currently-airing series Scum’s Wish, which uses paneling as its primary visual technique.

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Ping Pong: A Retrospective

ping pong the animation, ping pong, smile, makoto tsukimoto, yutaka hoshino, peco

“Maybe there’s no job I’m the only man for, but am I going to fade away without doing anything? Like hell, I’m going to fade away without doing anything!”

-“Tada Hitori” by Bakudan Johnny, Ping Pong The Animation opening song

What is “good enough?”

Ping Pong: The Animation tells us that the sport of ping-pong, like any passion, is conducive to an emotional state that vacillates wildly between monstrous amounts of narcissism and crippling depression. At any moment in time one can feel that they’re on top of the world, or the worst in their chosen interest. This is only compounded when one sets the goal of being “the best.”

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Peco, Kong, and Presence on the Court

peco, kong wenge, kong "china" wenge, ping pong, ping-pong the animation, yutaka "peco" hoshino

When I reached my senior year of high school on our track team, the three previous years of hard work, sweat, and vomit finally gelled into something that resembled a slightly above-average distance runner. Throughout these years, there was a runner from a rival school whose name was murmured amongst my teammates like a benediction or curse, depending on what they wished to express. Rumors had her training with U.S.A. Track and Field, and as our seniors prepared to pass the torch, they warned of her prowess and skill. This led to her constant presence in our minds, where the few souls talented enough to make it onto the varsity team – placing them next to her on the starting line – were immediately grilled following their races. I knew the exact meet, Reading versus Lexington, when we too would share a start time.

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There’s No Crying in Ping-Pong

yutaka hoshino, peco, ping pong the animation, ping pong episode 4

Crying, in North American professional sports, is mostly reserved for the winners. Athletes cry when they’re emotionally overwhelmed at a win, while the losing participants quickly depart, stoicism etched into their faces until they exit the public eye. In order to appear strong – particularly if one is an athlete in the spotlight, regardless of skill level – one must hide their emotions following a loss, as to not appear weak.

I personally disagree with the idea of crying equaling weakness, as crying is a good indicator of just how much one cares about what they are doing.

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