Wonder Egg Priority has always paid specific attention to lighting when Rika Kawai is onscreen.
The most contentious character in Wonder Egg Priority continues to be Ai Ohto’s teacher, Shuuichirou Sawaki. Outside of what exactly is going on with Aca and Ura-Aca’s seeming quest for immortality, who is on what side, and (in my opinion the most and only important part of this) how young women’s pain is exploited by a variety of people in powerful positions, the most spirited discussion of the series has revolved around Sawaki. More specifically, whether Sawaki is a benevolent, perhaps a bit too-involved but still well-meaning teacher. Or if he’s predatory and trying to forcibly insert himself into Ai’s life.
Momoe Sawaki’s addition to the Wonder Egg Priority cast in the series’ fourth episode also introduces two major hiccups to the series’ narrative. The first — and seemingly at the time, more pressing one — is that of Ai Ohto’s teacher Shuuichirou Sawaki and the fact that he is framed as predatory by the series itself, is linked to the death of Ai’s friend Koito Nanase, and just so happens to be Momoe’s uncle.
The second is of Momoe’s gender presentation.
It’s no coincidence that in the series’ tenth episode, Momoe’s focus episode, Wonder Egg Priority returns to both of these plot threads.
Naoko Yamada’s influence throughout the anime industry, particularly with various directors’ use of flower language, continues to impress me. In Shin Wakabayashi’s Wonder Egg Priority, flower language is front and center throughout the entirety of the first episode as running visual commentary alongside Ai Outo’s journey to save her friend, Koito Nanase.