anime

Visual Paneling in Sing “Yesterday” For Me

Paneling — separating out specific still panels like in a comic — appears frequently in anime. Part of this is simply because the source material for many anime comes from manga, and transferring those panels to isolate specific characters from others is an easy visual transition. At other times, it can be used to more clearly show characters’ relationships with each other in an easy-to-digest visual format. Paneling additionally conveys a deliberate thought process especially if panels are revealed in a certain order with precise timing — Masaaki Yuasa’s Ping Pong: The Animation immediately comes to mind.

In Sing “Yesterday” For Me, paneling is used to frame characters’ memories in specific ways that convey their perspective on others or how they subconsciously see other people without them ever saying these thoughts aloud. Panels appear in flashbacks and introductory episode titles, framing how characters think.

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The 2020 Gal & Dino Lookbook

Gal & Dino isn’t perfect. A similarly esoteric follow-up to Pop Team Epic from Jun Aoki and his team at Space Neko Company and Kamikaze Douga, Gal & Dino is comparatively slow, replacing frenzy with a relaxed slice-of-life feel. Pop Team Epic fans may be (and have been) disappointed with this first episode.

But someone on staff knows their fashion magazine photography and I am here for it.

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Sing “Yesterday” For Me (because I don’t believe in it)

I’m getting old.

It’s not the kind of aging on which Sing “Yesterday” For Me has trained its sights on.

That type of aging, at risk of offending the majority of people who read this who will definitely be significantly younger than me, is a relatively young type of aging. It’s the post-university ennui. You’ve been told time and time again by people older than you — and that one acquaintance who actually managed to get a good job upon graduation and is rather obnoxious about it — that you really should have figured out what you want to do by this point in life. These same people also may have told you that whatever you actually wanted to do in life — photography, in the case of Sing “Yesterday” For Me‘s Rikuo Uozumi — wasn’t lucrative enough to have a career in. They (probably) meant the best for you by saying this, or at least thought that they did.

Sing “Yesterday” For Me not only reminded me of my past self at this specific time, but also the self that immediately followed. The one that looked back on that initial, fresh-from-graduation self and thought with a relieved sigh, “I’m so happy that I finally got through all that.”

My fresh-from-graduation self was a bit of an asshole.

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On the perception of fanworks (and Magia Record)

I’ve been thinking a lot about fanworks lately.

More specifically, I’ve been thinking a lot about fanfiction and how frequently it’s written off or denigrated publicly, but this also somewhat applies to fanart and other methods of engaging with a media property outside of the recognized canon.

Part of this is because of the recent Star Wars canon (I’m using this word very loosely here) post-The Rise of Skywalker, part of this is because I’m a fanfiction writer myself (compartmentalization comes remarkably easy to me), and part of this is because Magia Record aired today.

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