Outside of an affirmative yell and calling Nanachi’s name, this is Riko’s last statement within the scope of Made In Abyss‘ 13-episode run. Her mother is waiting for her. She wants to continue adventuring immediately (despite a near life-ending injury among other things). Riko’s entire journey through the Abyss began with her desire to see her mother Lyza again while living in the massive shadow of her mother’s legacy.
(spoilers for Made in Abyss: Dawn of the Deep Soul)
It should come as no surprise to anyone familiar with the work of Naoko Yamada that flowers and flower language have their place in her latest film: Liz and the Blue Bird. For Yamada, flowers take the place of things left unsaid when people are unable to express their feelings for each other due to a physical disability (A Silent Voice), mental illnesses or internal fear (also A Silent Voice), societal expectations (her episode of Violet Evergarden), or myriad other reasons. When important context goes unsaid, Yamada frequently turns to flower language to do the emotional heavy lifting.
Her usage of flowers in Liz and the Blue Bird has a defter touch than A Silent Voice and Violet Evergarden‘s camellia princess. Many things go unsaid or unspoken between leads Mizore Yoroizuka and Nozomi Kasaki and Yamada wisely uses what unites them — music — to express most of them. Flowers create a secondary, background context, featured more prominently in the Liz and the Blue Bird storybook — used as another framing device for Mizore and Nozomi’s relationship — with a few flashes to real-life flowers at key moments between the two.
The majority of Bloom Into You‘s opening sequence flower language begins with lead couple Touko Nanami and Yuu Koito’s friends: Sayaka Saeki, Akari Hyuuga, and Koyomi Kanou. Koyomi and Akari are each given two specific flowers that relate to their respective relationships — in the case of Koyomi they give us more detail on her love of writing, and in the case of Akari they tell us more about her one-sided romance. Sayaka is a bit more complex, and is shown with a wide arrangement of flowers that discuss the depth of her relationship with Touko in great detail, hinting at what might be to come from later episodes in the series.
Bloom Into You makes it a point to show them first in the opening, which establishes a baseline for how we’re supposed to read the hanging flowers above the desks, petals below, and flower arrangements. In all three cases of the periphery characters (Sayaka, Akari, and Koyomi) the language of the individual flowers represent their respective emotions, but the presence of flowers, and flower petals, above and beneath their desks, represents a more general desire or love. In Touko and Yuu’s cases, flowers showcase their relationship with each other as well as their outlooks on current relationships as a whole.
Naturally a series titled Bloom Into You — although the literal translation of Yagate Kimi ni Naru would be “eventually I become you” — is going to be rife with flower language. I would have been disappointed had it not. Here’s a bit about what the flowers in the opening sequence could be saying about series leads Yuu Koito and Touko Nanami as well as their supporting cast.
What’s most noticeable from the first few scenes is that Touko and Yuu aren’t paired with each other, but instead featured alongside their close friends, with shed flower petals underneath their desks. In Touko’s case, pictured in the shot above, it’s Sayaka Saeki who is given the flower treatment. Yuu is pictured between her junior high school friends Koyomi Kanou and Akari Hyuuga. Their individual flowers featured in the opening give us insight into their personalities, especially Sayaka, whose motivations haven’t been made as clear as those of Akari and Koyomi.