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Spectacle and Service — Little Witch Academia and the purpose of magic

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How useful is floating a teapot in the air to serve hot tea?

Although both tea and wine have tannins — in varying amounts depending on steep time and prior to separating grape juice from the stems and skins in the case of wine — the former hardly needs to be aerated. Height is not necessary in the pour. And even if it was, a human could do the same with an equal amount of training.

What is the exact purpose of Diana Cavendish floating her teapot over to her teacher other than to pass her exam? Does she offer a service that couldn’t be provided by human hands?

No, she does not. The action is essentially useless.

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Adapting Nichijou (on visual and consumption differences between anime and manga)

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Robot high-school student Nano Shinonome is late for school. She calls back into her house — a small, older unit close to the train overpass — not to a parent but to her young professor before dashing out the door. Running, she checks the small digital watch set in her forearm. It’s 7:50 a.m.. “Maybe if I run, I’ll just barely make it,” she says.

As she nears the first intersection, a blond boy with headphones appears. He hums along to his music while walking. Nano begins flailing her arms like pinwheels in an attempt to stop suddenly. “Watch out!” she yells. It’s too late. The collision causes an explosion felt all over town. A few moments later, debris hits fellow high-school student Yuuko Aioi.

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Indulging our lowbrow influences — Little Witch Academia

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When I was younger, I consumed books. Every Saturday morning was spent pouring through another story after breakfast until I was kicked outside by my parents to do yardwork. When I fell ill — this happened fairly regularly — books would pile up underneath my pillow. I slept flat, without a pillow or on my arm, because the pillow concealed books from my parents. After they checked in on me before going to bed themselves, I would turn my nightlight on, curl up, and continue reading.

To this day, I don’t sleep on a pillow. To this day, my parents still believe that I was afraid of the dark until I was well into high school.

In fifth grade, I was inspired to play the piano after seeing the Boston Symphony Orchestra play Modest Mussorgsky’s “Pictures at an Exhibition.” A renowned, and generally well-liked work, there’s no shame in saying that “Pictures at an Exhibition” was an inspiration. It makes for a cute anecdote— one where an elusive sense of so-called good taste is implied.

There’s far more shame in saying that you were inspired to become a writer from Ann M Martin’s Baby-Sitter’s Club series, RL Stine’s Goosebumps series, or Michael Stackpole’s Rogue Squadron — the latter of which skirts fanfiction territory, inviting even more derision. Inspiration is something that’s deeply personal, regardless if your impetus for picking up writing comes from Stephenie Meyer’s twilight or Aldous Huxley’s Brave New World.

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Another Breadcrumb Trail in Flip Flappers — Color Theory

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This post was actually going to be part of a longer post on small “breadcrumbs” that Flip Flappers has scattered throughout the series — small tidbits that are now either coming together, or reframed by recent exposition in Episodes 11 and 12. However, that one post turned out to be far too unwieldy, especially for something that began as a collection of odds and ends.

The first post is on Mimi, the idea of “the witch,” and perceptual ambiguity. This post will cover Cocona, Papika, and Yayaka in regards to their color scheme and color theory.

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